Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

POV MagazineCanada

Windsor Film Festival Highlights Top Spot for Docs on the Circuit

10.28

It’s a big year for documentaries at the Windsor International Film Festival (WIFF). The festival has a whopping tally of over 60 documentaries within its feature film slate, which marks one of the…

Festivals & awards Documentary

Read at POV Magazine ↗

One letter a week, starting soon.

Latest

Windsor Film Festival Highlights Top Spot for Docs on the Circuit

Related

AfricaPolice Block Screening of Kenyan Documentary ‘The People Shall’ at Kilifi Creek Festival (EXCLUSIVE) Sinema Focus

UKYou Can See Everything review – Nathan Fielder’s Elizabeth Holmes doc is a modern masterpiece of deceit The Guardian Film

CanadaPossible Love Review: Class Seen through the Documentary Lens POV Magazine

Best of the Fall Film Festivals 2026 Letterboxd Journal

USA‘L’Innocente’ Trailer: Luchino Visconti’s Final Film Gets a 50th-Anniversary 4K Restoration Slant Magazine

Interview: Lila Avilés – Cábula | 2026 Venice Gap-Financing Market IONCINEMA