Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Revista de CinemaBrazil

Festival Internacional de Animação de Goiânia abre inscrições

10.29

O 9º Lanterna Mágica – Festival Internacional de Animação de Goiânia abriu as inscrições para sua próxima edição, que acontecerá em maio de 2027, na capital goiana.

Festivals & awards

Read at Revista de Cinema ↗

One letter a week, starting soon.

Latest

Festival Internacional de Animação de Goiânia abre inscrições

Related

Interview: Damian Kocur – La Manche | 2026 Venice Gap-Financing Market IONCINEMA

Everytime Teaser: Sandra Wollner’s Unforgettable Cannes Winner Sets February Release The Film Stage

NordicsNy fængselsdom til iransk Guldpalme-vinder Ekko

Imagine 2026: Heads-Ups And Recommendations ScreenAnarchy

Moon Choi on Bedford Park, Being on the Busan Jury, and the Brilliance of Jeon Do-yeon The Film Stage

AfricaHow AFRIFF’s Inaugural Film Market Led to Distribution Deals, Sales Representation and Cannes Opportunities What Kept Me Up