Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

The Hindu — MoviesIndia

‘Clayface’ movie review: Tom Rhys Harries shines in body-horror thriller

10.22

Tom Rhys Harries and Naomi Ackie anchor this pulpy and predictable Batman villain origin tale

Horror & thriller

Read at The Hindu — Movies ↗

One letter a week, starting soon.

Latest

‘Clayface’ movie review: Tom Rhys Harries shines in body-horror thriller

Related

Nights That Won’t Happen: Haunted Cities, Spectral Intimacies and Lost Futures in All of Us Strangers and The Beast Senses of Cinema

NordicsSkogsmullar döljer nazisympatier i ekofascistisk thriller Dagens Nyheter — Film

AustraliaMavournee Hazel, Thom Green to lead comedy horror ‘Second Date’ IF Magazine

IrelandClayface – A body horror bloodbath Scannain

UKClayface review – flesh-stretching DC body horror is very gory but not very good The Guardian Film

Hong KongClayface review: DC spin-off delivers a grisly, vengeance-fuelled body-horror thriller SCMP Film