Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

IF MagazineAustralia

Australian Screen Editors reveals nominees for 20th Ellie Awards

October 13

Australian Screen Editors has unveiled the nominees for December's Ellie Awards, with Rachel Grierson-Johns leading the field with four nods.

Festivals & awards

Read at IF Magazine ↗

Türkiye33. Uluslararası Adana Altın Koza Film Festivali'nde İzleyici Ödülü'nü Kazanan "Canavar"ın Yönetmeni Tunç Şahin ve Ekibiyle ile Özel Röportaj Beyazperde

One letter a week, starting soon.

Latest

Australian Screen Editors reveals nominees for 20th Ellie Awards

Related

AustraliaCezary Skubiszewski to be honoured at Screen Music Awards IF Magazine

Asia20 Must-see short films from the 30th ifva Festival (Part 2) Asian Film Festivals

BrazilCrítica | Mãe, Engravidei de um Alien – Perturbador e Bizarro Body horror Neozelandês [Festival do Rio] CinePOP

BrazilCrítica | Se Eu Fosse Você 3 – Continuação da Franquia Busca Dialogar com Dilemas Atuais [Festival do Rio] CinePOP

Türkiye33. Uluslararası Adana Altın Koza Film Festivali'nde İzleyici Ödülü'nü Kazanan "Canavar"ın Yönetmeni Tunç Şahin ve Ekibiyle ile Özel Röportaj Beyazperde

‘Wildwood’ Enchants BFI with 100% Rotten Tomatoes Rating from Early Reviews Animation Magazine