Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Asia Pacific Screen AwardsAsia

ASIA PACIFIC SCREEN AWARDS ANNOUNCES 2026 WINNERS

10.30

Guria takes home Best Film, with Thailand’s Sompot Chidgasornpongse awarded Best Director and Afghan filmmaker Shahrbanoo Sadat receiving the Jury Grand Prize.

Festivals & awards Directors

Read at Asia Pacific Screen Awards ↗

Japan三池崇史監督推奨! 運命に翻弄されるノワール・ラブストーリー映画『いかさま隆二と裏切り純子』予告映像公開 otocoto

Prince | 2026 London BFI Film Festival Review IONCINEMA

The art of shaping a festival: conversation with Karel Och, artistic director of the Karlovy Vary International Film Festival Senses of Cinema

Toronto Filmmaker Survey: Just One Moment MUBI Notebook

EuropeInterview: Manuel Wetscher • Director of Eklipse - “It’s about engaging with my own material and exploring how it can be used artistically” - Venice 2026 – Orizzonti Cineuropa

EuropeInterview: Ann Sirot, Raphaël Balboni • Directors of Diane in the Loop - "The western cannot be reserved for male wounds" - Venice 2026 - Orizzonti Cineuropa

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Latest

ASIA PACIFIC SCREEN AWARDS ANNOUNCES 2026 WINNERS

Related

Japan三池崇史監督推奨! 運命に翻弄されるノワール・ラブストーリー映画『いかさま隆二と裏切り純子』予告映像公開 otocoto

Prince | 2026 London BFI Film Festival Review IONCINEMA

The art of shaping a festival: conversation with Karel Och, artistic director of the Karlovy Vary International Film Festival Senses of Cinema

Toronto Filmmaker Survey: Just One Moment MUBI Notebook

EuropeInterview: Manuel Wetscher • Director of Eklipse - “It’s about engaging with my own material and exploring how it can be used artistically” - Venice 2026 – Orizzonti Cineuropa

EuropeInterview: Ann Sirot, Raphaël Balboni • Directors of Diane in the Loop - "The western cannot be reserved for male wounds" - Venice 2026 - Orizzonti Cineuropa

Latest

ASIA PACIFIC SCREEN AWARDS ANNOUNCES 2026 WINNERS

Related

Japan三池崇史監督推奨! 運命に翻弄されるノワール・ラブストーリー 映画『いかさま隆二と裏切り純子』 予告映像公開 otocoto

Prince | 2026 London BFI Film Festival Review IONCINEMA

The art of shaping a festival: conversation with Karel Och, artistic director of the Karlovy Vary International Film Festival Senses of Cinema

Toronto Filmmaker Survey: Just One Moment MUBI Notebook

EuropeInterview: Manuel Wetscher • Director of Eklipse - “It’s about engaging with my own material and exploring how it can be used artistically” - Venice 2026 – Orizzonti Cineuropa

EuropeInterview: Ann Sirot, Raphaël Balboni • Directors of Diane in the Loop - "The western cannot be reserved for male wounds" - Venice 2026 - Orizzonti Cineuropa

Japan三池崇史監督推奨! 運命に翻弄されるノワール・ラブストーリー映画『いかさま隆二と裏切り純子』予告映像公開 otocoto